The Crochet Coral Reef Project Comes to Abu Dhabi
Turning the woolly marine creations around in her hands, Margaret Wertheim, one of the founders of the Crochet Coral Reef Project and co-director of the Institute for Figuring, spoke to a small, but diverse collection of people from the New York University Abu Dhabi (NYUAD) community. Students, faculty members, Global Academic Fellows, administrative staff, and members of the Abu Dhabi community were in attendance for the workshop, each person closely listening—with a ball of yarn in one hand and a crochet hook in the other.
The Crochet Coral Reef Project was co-created in 2005 by Margaret Wertheim and Christine Wertheim, inspired by their mutual concern for the devastating effects the rising of temperature and pollution have had on the coral reefs. Ms. Wertheim and her sister, Christine, grew up in Queensland in Australia, where the Great Barrier Reef has been ravaged by the warming of the water. “[The project] has exceeded our expectations in any possible way,” said Ms. Wertheim, while starting to crochet a simple green coral reef structure. “When my sister and I started this project in 2005, we honestly thought that maybe 20 or 30 people would be interested in doing this project with us, and now there are well over 7000 people who have made models for the exhibitions themselves, and 3 million people have seen the exhibitions- we never imagined it would become a world-wide phenomenon.”
Ms. Wertheim showed the participants the different hyperbolic structures that could be made with a simple knowledge of crochet techniques, from a tight, dense hyperbolic pane made with red yarn, to a more elaborate kelp-like structure made from a special material called Jelly Yarn. The coral reef can be crocheted with any material, even with strips of disposed plastic bags, a bold statement in itself that protests against the immeasurable amount garbage present in the ocean today.
The most significant achievement of the Crochet Coral Reef Project is that in bringing the various levels of community together, the end result reflects the overarching culture of the region in which the project is executed. Together, participants create a rich composition of textures that represent the various customs, attitudes, and lifestyle of their community. Each city that has participated in creating a Satellite Reef has exhibited a different theme—and message—to its viewers. I suspect that the NYUAD Satellite Reef will be a veritable conglomeration of shapes, sizes, and colours, owing to the spectacular diversity of backgrounds present in the community body. “Abu Dhabi is a very unique place to be doing this project for various reasons,” said Ms. Wertheim, continuing on to expound on the logistical challenges the location has already presented – “This is the first time that we have done [the Reef project] in the Middle East, which is exciting in its own right, but [New York University Abu Dhabi] is very eager to involve people from all sectors of society as much as possible, which presents many logistical challenges because there is a [severe] separation of communities here…[one must] do outreach to individual communities…there is the student community, the Emirati community, the guest workers who work at NYU, the academic staff, and each of these populations have to be targeted in a different way.” Although NYUAD students fully embrace the cosmopolitan nature of the university, they have also experienced much difficulty in connecting with the different populations that exist within the university. Communal projects like the Crochet Coral Reef Project are important because they present great opportunities for collaboration across the community that might otherwise have difficulty establishing connections.
An important aspect of the project is its connection to feminism. Crochet as a handicraft has traditionally been passed down from mother to daughter, and remains to this day a female-dominated activity. It is not surprising, then, that the participants in the Crochet Coral Reef Project are almost all female. In fact, the project has met with disapproval from some women, who consider the project to be propagating the stereotype that women must take care of domestic responsibilities, and engage in feminine activity in their free time. The tradition of a mother teaching her daughter “hand work” has suffered over the past half-century, in part due to the idea that these skills are “old-fashioned,” or limiting. The word ‘feminist’ has developed negative connotations precisely because of those who call themselves active feminists and challenge the traditional separation of roles and hobbies to advocate sexual prejudices, mistaking cultural gender differences to indicate sexual discrimination; in this way of taking issue with everything, people have ceased to take their concerns seriously because the resolution of such matters does not advance the agenda for equality. It is altogether too easy to forget that feminism is the advocacy of woman’s rights on the grounds of political, social, and economic equality to men- the abolition of a traditional handicraft will never achieve this feat, and will more compromise the rich history and significance of female history.
Lamenting that gender feminism has overwhelmed what was coined as equity feminism by Christina Hoff Sommers in her book, Who Stole Feminism, Ms. Wentheim declared that crochet is a distinctly feminine activity that empowers women and men alike, a technical skill of artistry that must be mastered like any other skill or craft. The Crochet Coral Reef Project is a feminist project that unites women and men from all walks of life, allowing them to collaborate on making stunning models of marine structures through the beautiful feminine tradition of crochet. Personally, I felt joy in learning how to crochet again, because my mother had been increasingly reluctant to teach me the technique as I grew older.
The opening statement on the Crochet Coral Reef website is the perfect distillation of the project: “The Crochet Coral Reef is a woolly celebration of the intersection of higher geometry and feminine handicraft, and a testimony to the disappearing wonders of the marine world.” The people who attended the workshop held at NYUAD had varying levels of experience with crochet, but all were present because they had taken advantage of the communal space and time that the project created for the community. Bringing the Crochet Coral Reef Project to NYUAD is the beginning of a powerful series of conversations across the many layers of community extant in the university, one that will gain momentum as the project progresses.
For more information about the NYUAD Crochet Coral Reef project, please email: firstname.lastname@example.org