We invite readers to leave comments and continue our Community Reading Event devoted to The Great Gatsby and Gatz.
How the Elevator Repair Service’s Gatzhelps realize that the novel, like theater, can be a deeply communal form.
Gabrielle Flores writes a review that’s not really a review, about a play that wasn’t really a play but a performance piece about how to think about a play.
In 2013, four NYUAD students began interviewing their classmates about their experiences in Abu Dhabi. As the starting point for the interviews, they used seven questions: Why are you scared? Why do you feel repressed? Why do you feel liberated? Why do you regret...
How Organs, Tissues, and Candy Games explored the ways in which the human body can be appropriated for purposes beyond its initial, native intent.
Monsters do not only reside under the childhood bed or closet, nor is their habitat constrained to horror films and nightmares. Monsters, creatures that elicit a shiver from even the most apathetic intellectual, walk among us, live inside us, because we are the...
Video game characters used as puppets to tell stories from the classical tradition? Kevin Riordan reports on Eddie Kim’s machinima theater productions
Professor Katherine Rowe writes about the Festival as it unfolds.
Dreaming Abu Dhabi theater through A Dream Play.
Student troupes from Egypt, the UAE, and the US explore the dramatic legacy of the Bard at NYU Abu Dhabi.
The final article in our series about the legendary Indian film-maker Shyam Benegal
Shyam Benegal gives a master class about one of his classic films, “Zubeidaa”
Reflections on the Bard’s presence at the opening ceremony.
Rubén Polendo’s company casts new light — literally — on Strindberg’s play.
Studying movement, dance, and performance in Kerala, India.
A look back at Theater Mitu’s CHAOS.
The director gives us an inside-view of Theater Mitu’s production of Death of a Salesman.
Rubén Polendo talks about his work with Theater Mitu.